Max Beckmann (Germany) 1884-1950

ARTIST PROFILE

German expressionist painter and printmaker, whose works convey his pessimistic view of society. Born in Leipzig, he was trained at the Weimar Academy of Art and worked at first in an impressionist style. His horrifying experience as a medical corpsman in World War I (1914-1918) led him to produce highly dramatic and energetic paintings characterized by heavy outlines, areas of harsh color, and an unrelenting savagery. Like the work of the New Objectivity movement, his paintings expressed social criticism of postwar Germany. Beckmann's dismay at the rise of the Nazi Party (see National Socialism) in the 1930s was reflected in nine triptychs, huge, grimly realistic figural allegories in strident hues, such as Departure (1932-1933, Museum of Modern Art, New York City). Departure was painted just after the Nazis ousted Beckmann from his art professorship at the Städel School of Art in Frankfurt as a "degenerate." In 1937, on hearing that his work would be included in the Nazi Degenerate Art Exhibition, he immigrated to Amsterdam, and in 1947 he went to the United States. He taught at Washington University in St. Louis, Missouri, from 1947 to 1949, then moved to New York City, where he died the following year.



"Beckmann, Max," Microsoft® Encarta® Online Encyclopedia 2001
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RELATED EXHIBITIONS
Birmingham : Graphic Art and the Great War, featuring works by Beckmann and Schiele
Hamburg : Picasso, Beckmann, Nolde and Modernity
London : German Masters and French Impressionists of the 19th and early 20th century at the National Gallery
Vancouver : Prints and Drawings of the Weimar Republic
Washington : German Masters and French Impressionists of the 19th and early 20th century

ARTIST WORKS

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WORK DETAILS
Afternoon
Title: Afternoon
Medium: 1946, dimensions 90×133cm, Oil on canvas
Exhibited at: Museum am Ostwall
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Columbine
Title: Columbine
Medium: 1950, dimensions 135×100cm, Oil on canvas
Exhibited at: The Saint Louis Art Museum
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Departure
Title: Departure
Medium: 1935, dimensions 215×314cm, Oil on canvas
Exhibited at: Museum of Modern Art, New York
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Great Scene of Death
Title: Great Scene of Death
Medium: 1906, dimensions 131×141cm, Oil on canvas
Exhibited at: Staatsgalerie Moderner Kunst
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Night
Title: Night
Medium: 1919, dimensions 133×154cm, Oil on canvas
Exhibited at: Nordheim Westfalen Kunstsammlung
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Portrait of Friedrich Battenberg
Title: Portrait of Friedrich Battenberg
Medium: 1920, dimensions 97×48cm,
Exhibited at: Sprengel Museum
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Self portrait in Tuxedo
Title: Self portrait in Tuxedo
Medium: 1927, dimensions 141×96cm, Oil on canvas
Exhibited at: Busch-Reisinger Museum
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Self portrait with red scarf
Title: Self portrait with red scarf
Medium: 1917, dimensions 80×60cm, Oil on canvas
Exhibited at: Staatsgalerie, Stuttgart
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Synagogue
Title: Synagogue
Medium: 1919, dimensions 90×140cm, Oil on canvas
Exhibited at: Stadelsches Kunstinstitut
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The Iron Bridge
Title: The Iron Bridge
Medium: 1922, dimensions 120×84cm, Oil on canvas
Exhibited at: Nordheim Westfalen Kunstsammlung
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