Canaletto (Italy) 1697-

ARTIST PROFILE



His real name wasGiovanni Antonio Canal (1697-1768). Italian painter, known for his sparkling views of Venice. He was born in Venice on October 28, 1697, and died there on April 19, 1768. Canaletto received instruction in painting and perspective from his father, a scene designer in the high baroque tradition. He took as his specialty the relatively new and rare form of painting, the city view (veduta). His principal patrons were English aristocrats on the Grand Tour, for whom his scenes were souvenirs of the sights of Venice—the Grand Canal, the basin of Saint Mark's, plus innumerable scenes of regattas and water festivals, such as the annual celebration of the Marriage of Venice to the Sea.


Canaletto's technique had the traditional Venetian hallmarks of luminous light and glowing color, to which he added a Dutch-influenced attention to clear and accurate detail. His early works often feature dark, saturated colors that depict a moist, palpable atmosphere under a stormy or dark sky. Later works—after 1740, when Canaletto began to develop a somewhat looser, less precise style of brushwork—often portray bright sunlit scenes with rich colors highlighted by red and gold. He went to England in 1746 after the War of the Austrian Succession had drastically curtailed the stream of English visitors to Venice. He painted many scenes of English landscapes and country houses before returning to Venice in 1755. Canaletto was elected to the Venice Academy in 1763, but the paintings of his later years were increasingly criticized for their facile manner and mechanical repetition of overly familiar themes. The atmospheric quality of his best works was an important influence on 19th-century landscape painting.





"Canaletto," Microsoft® Encarta® Online Encyclopedia 2001
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RELATED EXHIBITIONS
Barcelona : Canaletto exhibition

ARTIST WORKS

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WORK DETAILS
Arrival of the French Ambassador in Venice
Title: Arrival of the French Ambassador in Venice
Medium: 1740, dimensions 181?259cm, Oil on canvas
Exhibited at: Hermitage Museum
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Bacino di San Marco (St Mark's Basin)
Title: Bacino di San Marco (St Mark's Basin)
Medium: 1740, dimensions 125?204cm, Oil on canvas
Exhibited at: Museum of Fine Arts, Budapest
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Doge Palace
Title: Doge Palace
Medium: ~1725, dimensions 65?86cm, Oil on canvas
Exhibited at:
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La punta della Dogana
Title: La punta della Dogana
Medium: 1728, dimensions 46?62cm, Oil on canvas
Exhibited at: Vienna Kunsthistorisches Museum
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Perspective
Title: Perspective
Medium: 1765, dimensions 131?93cm, Oil on canvas
Exhibited at: Galleria dell'Accademia
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Piazza San Marco
Title: Piazza San Marco
Medium: 1740, Oil on canvas
Exhibited at: National Gallery of Art, Washington
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Riva degli Schiavoni
Title: Riva degli Schiavoni
Medium: 1740, dimensions 46?62cm, Oil on canvas
Exhibited at: Vienna Kunsthistorisches Museum
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The Bucintoro Preparing to Leave the Molo on Ascension Day
Title: The Bucintoro Preparing to Leave the Molo on Ascension Day
Medium: ~1740, dimensions 122?183cm, Oil on canvas
Exhibited at: National Gallery, London
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The Grand Canal and the Church of the Salute
Title: The Grand Canal and the Church of the Salute
Medium: 1730, dimensions 49?72cm, Oil on canvas
Exhibited at: Museum of Fine Arts, Budapest
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The Grand Canal with the Rialto Bridge in the Background
Title: The Grand Canal with the Rialto Bridge in the Background
Medium: 1725, dimensions 146?234cm, Oil on canvas
Exhibited at: Gemaldegalerie Neue Meister
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