|
Carlo Carra (Italy) 1881- | ARTIST PROFILE
Italian artist, who was a leader of both futurist and metaphysical painting. At first he tried to infuse the geometric structure and neutral palette of cubism with a futurist sense of movement. In the army he met Giorgio de Chirico, founder of pittura metafisica ("metaphysical painting") and adopted
this new concept. In such works as The Enchanted Room (1917), he created an atmosphere of mystery and apprehension through exaggerated Renaissance perspective and ominous light. Later works were influenced by Giotto and Paul C?zanne.
"Carra, Carlo," Microsoft® Encarta® Online Encyclopedia
2001 http://encarta.msn.com © 1997-2001 Microsoft Corporation. All rights reserved.
|
RELATED EXHIBITIONS
Hannover : Italian Futurism from 1909 to 1918
Madrid : Form and the Classical Ideal in Modern Art
|
|
ARTIST WORKS
|
thumbnail click for full size |
WORK DETAILS |
 | | Title: | Leaving the Theatre | | Medium: | 1909, dimensions 69?91cm, Oil on canvas | | Exhibited at: | Private collection | |
|
 | | Title: | Patriotic Celebration | | Medium: | 1914, dimensions 38?30cm, Pastel | | Exhibited at: | Private collection | |
|
 | |
 | | Title: | The Horsemen of the Apocalypse | | Medium: | 1908, dimensions 36?94cm, Oil on canvas | | Exhibited at: | Art Institute of Chicago | |
|
|
4 Records Found!
|
|
|
|
|
|