Roberto Sebastiano Antonio Matta (Chile) 1911-

ARTIST PROFILE



Chilean-born French artist, whose early paintings depict dreamlike landscapes occupied by mysterious organic shapes derived from animal forms, as well as plant life and minerals. In later works, organic, symbolic, and mechanical forms interact, sometimes violently, illustrating Matta's belief that all forces of the universe are interconnected.


Born in Santiago, Matta trained as an architect at the Catholic University in Santiago from 1929 to 1931. From 1934 to 1936 he worked for the Swiss-French architect Le Corbusier in Paris, France. During this period, he traveled to Madrid, Spain, where he met artists and writers influenced by surrealism, a movement that emphasized the role of chance and the subconscious mind in the creative process. Matta joined the surrealists in 1937 and exhibited drawings with them in Paris. The following year he began to incorporate chance into his paintings, using such techniques as pouring paint directly onto canvases to create unexpected forms. From 1939 to 1948 he lived in New York City, where he helped introduce the notion of chance to a group of artists who later founded the abstract expressionist movement.


A trip to Mexico in 1941 led to Matta's interest in that country's dramatic scenery and its pre-Columbian art and architecture. Matta also drew inspiration from Native American art, particularly that of Northwest Pacific Coast peoples. In 1948 Matta returned to France, eventually taking French citizenship. He continued to travel, however, returning often to Chile and spending time in Africa and elsewhere in Europe and Latin America.





"Matta Echaurren, Roberto Sebastian Antonio," Microsoft® Encarta® Online Encyclopedia 2001
http://encarta.msn.com © 1997-2001 Microsoft Corporation. All rights reserved.

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ARTIST WORKS

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WORK DETAILS
Disasters of Mysticism
Title: Disasters of Mysticism
Medium: 1942, dimensions 101?152cm, Oil on canvas
Exhibited at: Private collection
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The Hanged Man
Title: The Hanged Man
Medium: 1942, dimensions 97?130cm, Oil on canvas
Exhibited at: Beyeler Collection
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The Offences
Title: The Offences
Medium: 1941, dimensions 57?72cm, Mixed technique
Exhibited at: Musee National d'Art Moderne, Centre Georges Pompidou
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The Vertigo of Eros
Title: The Vertigo of Eros
Medium: 1944, dimensions 196?252cm, Oil on canvas
Exhibited at: Museum of Modern Art, New York
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